Adhitya Hridhayam

Adhithya Hridhayam - Download

"Om Bhaskaraya Vidhmahe Diva karaya Dheemahe 
Thanno Surya Prachodayath "

Happy Pongal / Sankaranthi for all readers / viewers ! !

LORD KRISHNA SONGS

Aayarpaadi Maaligayil - Download

Achyutasthakam - Download

Alai Payuthey - Download

Amara Jeevitham - Download

Brindhavanathil - Download

Enna Thavam Seithanai - Download 

Gokulathu - Download

Gopiyarae - Download

Guruvayurkku - Download

Kothayin - Download

Krishna Nee Beganae - Download

Kurai Ondrum Ilai - MSS Download  Sudha Raghunathan Download

Kuzhaloodi - Download

Maadu Meikum Kannae - Download

Madhurasthkam - Download

Pullankuzhal Kudutha - Download

Thayae Yasoda - Download

CHIDAMBARAM NATARAJAR SONGS

Chidambaram Temple is a Hindu temple dedicated to Lord Shiva located in the heart of the temple town of Chidambaram,Tamil Nadu).The temple , 78 km south of Pondicherry and 235 Km from Chennai, the capital of Tamil Nadu state of southeastern India. The Sangam classics refer to Viduvelvidugu Perumtaccan, respected clan of traditional Vishwakarmas, as being the chief architect of the temple renovation. There have been several renovations in its history, particularly during the days of Pallava/Chola emperors in ancient and pre-medieval periods.

Chidambaram is one of the five holiest Shiva temples, each representing one of the five natural elements; Chidambaram represents akasha (aether). The other four temples in this category are: Thiruvanaikaval Jambukeswara,Trichy (water), Kanchi Ekambareswara (earth)Kanchipuram, Thiruvannamalai Arunachaleswara (fire),Thiruvanna malai and Kalahasti Nathar (wind),Kalahasti


The temple complex spread over 50 acres in the heart of the city. It is an ancient and historic temple dedicated to Lord Shiva Nataraja and Lord Govindaraja Perumal, one of the few temples where both the Shaivite and Vaishnavite deities are enshrined in one place.To the followers of Shaivism (Saivism) or the saivaite, the very word koil refers to Chidambaram. In the same way, to the followers of Vaishnavism it refers to Srirangam or Thiruvarangam.


The word Chidambaram may be derived from chit, meaning "consciousness", and ambaram, meaning "sky" (from aakasam or aakayam); it refers to the chidaakasam, the sky of consciousness, which is the ultimate aim one should attain according to all the Vedas and scriptures.Another theory is that it is derived from chit + ambalam. Ambalam means a "stage" for performing arts. The chidakasam is the state of supreme bliss or aananda and Lord Natarajar is the symbolic representation of the supreme bliss or aananda natanam. Saivaites believe that a visit to Chidambaram leads to liberation.Yet another theory is that it is derived from the word chitrambalam, from chithu meaning "play or dances of God" and ambalam meaning "stage"


A unique feature of this temple is the bejeweled image of Nataraja. It depicts the Lord Shiva as the Lord of the dance Bharatanatyam and is one of the few temples where Shiva is represented by an anthropomorphic murthi rather than the classic, anionic Lingam. The Cosmic Dance of Lord Nataraja symbolises the motion of the universe as sustained by Lord Shiva. The temple has five courts.Aragalur Udaya Iraratevan Ponparappinan (alias Vanakovaraiyan) rebuilt the Siva temple at Chidambaram around 1213 AD. The same Bana Chief also built Tiruvannamalai temple.The temple has been traditionally administered by an endogamous group of shiavite brahmins called Dikshitar, who also officiate as its priest.


The story of Chidambaram begins with the legend of Lord Shiva strolling into the Thillai Vanam (Vanam meaning forest and thillai trees - botanical name Exocoeria agallocha, a species of mangrove trees - which currently grows in the Pichavaram wetlands near Chidambaram. The temple sculptures depicting the Thillai trees date back to the 2nd century CE).

In the Thillai forests resided a group of saints or 'rishis' who believed in the supremacy of magic and that God can be controlled by rituals and 'mantras' or magical words. The Lord strolls in the forest with resplendent beauty and brilliance, assuming the form of 'Pitchatanadar', a simple mendicant seeking alms. He is followed by his Grace and consort who is Lord Vishnu as Mohini. The rishis and their wives are enchanted by the brilliance and the beauty of the handsome mendicant and his consort.On seeing their womenfolk enchanted, the rishis get enraged and invoke scores of 'serpents' (Sanskrit: Nāga) by performing magical rituals. The Lord as the mendicant lifts the serpents and dons them as ornaments on his matted locks, neck and waist. Further enraged, the rishis invoke a fierce tiger, which the Lord skins and dons as a shawl around his waist.Thoroughly frustrated, the rishis gather all their spiritual strength and invoke a powerful demon Muyalakan - a symbol of complete arrogance and ignorance. The Lord wearing a gentle smile, steps on the demon's back, immobilizes him and performs the Ánanda Thaandava (the dance of eternal bliss) and discloses his true form. The rishis surrender, realizing that this Lord is the truth and he is beyond magic and rituals.


Adhisesha, the serpent who serves as a bed for the Lord in his manifestation as Vishnu, hears about the Änanda thaandava and yearns to see and enjoy it. The Lord blesses him, beckons him to assume the saintly form of 'Patanjali' and sends him to the Thillai forest, informing him that he will display the dance in due course.Patanjali who meditated in the Himalayas during krita age joins another saint, Vyagrapathar / Pulikaalmuni (Vyagra / Puli meaning "Tiger" and patha / kaal meaning "feet" – referring to the story of how he sought and got the feet and eyesight of a tiger to help climb trees well before dawn to pick flowers for the Lord before the bees visit them). The story of sage Patanjali as well as his great student sage Upamanyu is narrated in both Vishnu Puranam as well as Siva Puranam. They move into the Thillai forest and worship Lord Shiva in the form of Shivalinga, a deity worshipped today as Thirumoolataneswarar (Thiru - sri, Moolatanam - primordial or in the nature of a foundation, Eswarar- the Lord). Legends say that Lord Shiva displayed his dance of bliss (the Aananda Thaandavam) - as Nataraja to these two saints on the day of the poosam star in the Tamil month of Thai (Jan – Feb).


The Ananda Tandava posture of Lord Shiva is one of the famous postures recognized around the world by many. This celestial dancing posture tells us how a Bharathanatium Dancer should dance.

The demon under Nataraja's feet signifies that ignorance is under his feet
The Fire in this hand (power of destruction) means destroyer of evil
The raised hand signifies that he is the savior of all life.
The Ring at the back signifies the cosmos.
The drum in his hand signifies the origin of Life.

These are the main things that the Natarajar murti and the celestial dance posture depict. A rare type of thandava posture is seemed in Melakadambur temple near by 32 km from here.In this Karakoil, Nataraja dancing on a bull and deva's rounds the structure it's an pala art being kept in this shrine

Chidambaram is also referred to in various works such as Thillai (after the Thillai forest of yore in which the temple is now located), Perumpatrapuliyur or Vyagrapuram் (in honour of Saint Vyagrapathar).The temple is supposed to be located at the Lotus heart of the Universe": Virat hridaya padma sthalam. On the spot where the Lord displayed his dance of bliss, the Änanda Thaandavam - a spot exactly south of the "Thirumoolataaneswar temple", today is the Ponnambalam/ Porsabai (Pon meaning gold, Ambalam/Sabai meaning stage) housing the Lord Shiva in his dancing form. The Lord is also hence referred to as the Sabhanayakar, meaning the Lord of the Stage.

This gold-roofed stage is the sanctum sanctorum of the Chidambaram temple and houses the Lord in three forms:
the "form" - the anthromorphological form as an appearance of Lord Nataraja, called the Sakala thirumeni.
the "semi-form" – the semi-anthropomorphological form as the Crystal linga of Chandramouleswarar, the Sakala nishkala thirumeni.

the "formless" – as the Space in Chidambara Rahasyam, an empty space within the sanctum sanctorum, the Nishkala thirumeni.


Chidambaram is one of the Panchabootha Sthalas, where the Lord is worshipped in his manifestation as sky or Aagayam ("pancha" – meaning five, bootha – meaning the elements: earth, water, fire, wind and space and "sthala" meaning location).

The others are:
Ekambareswarar temple at Kanchipuram, where the Lord is worshipped in his manifestation as Earth

Jambukeswarar temple at Thiruvanaikaval(Trichy), where the Lord is worshipped in his manifestation as Water,

Annamalaiyar Temple at Tiruvannamalai, where the Lord is worshipped in his manifestation as Fire
Kalahasti temple at Srikalahasthi, where the Lord is worshipped in his manifestation as air/wind.

Chidambaram also is one of the five places where Lord Shiva is said to have displayed his dance and all these places have stages/ sabhais . Apart from Chidambaram which has the Por sabhai, the others are the Rathina sabhai at Thiruvaalangadu (rathinam – ruby / red) , the Chitra sabhai at Courtallam (chitra – painting), the Rajatha sabhai or the Velli ambalam at Madurai Meenakshi Amman Temple (rajatha / velli – silver) and the Thaamira sabhai at Nellaiappar Temple, Tirunelveli (thaamiram – copper).

  திருமந்திரம்

மானுடராக்கை வடிவு சிவலிங்கம்
மானுடராக்கை வடிவு சிதம்பரம்
மானுடராக்கை வடிவு சதாசிவம்
மானுடராக்கை வடிவு திருக்கூத்தே

Please find below the various slokas/sthotras of Lord Nataraja. Listen & get blessed.

Chidambareswara Stothram - Download

Nataraja Stothram - Download

Chidambareswara Panchachamara Stothram - Download

Chidambareswarar Sthuthi - Download

Chidambarasthkam  - Download

Natesashtakam - Download

Nataraja Gayathri & Dhyanam - Download

Nataraja Karna Ranjakam & Mangalam - Download

Natarajar pathi Madurasthakam - Download

Nataraja Sahasranamam - Download File 1  Download File 2

Nataraja Thandava Stothram - Download

Sabhapathiku by Aruna Sairam - Download

Bho Sambho by Nithyashree Mahadevan - Download

Aadum Chidambaramo by M.S.Subbulakshmi - Download

Siva Thandavam - Download

 

THIRUVANNAMALAI ANNAMALAIYAR SONGS

 Thiruvannamalai is the capital of Saivism. The South Indian deity Siva is the God of all countries. Annamalaiannal is the most sacred of the names of the manifestation of Lord Siva.Saint poets Thirugnana Sambandar, Thirunavukkarasar, Sundarar and so on have visited Thiruvannamalai, prayed to the Lord and have composed divine poems. Saint Manickavasagar had lived at Thiruvannamalai for long period and had composed "Thiruvempavai - 20" and "Thiruvammanai". Even today there is a temple for Saint Manickavasagar on the Girivalam path at Adi-Annamalai.There are 275 sacred places (Lord Siva Temples) which were praised by the hymns of Thevaram and were called "Thirumurai Thalangal". Of these places twenty two are found in Nadu Naadu (a part of Tamil Nadu ). Thiruvannamalai is the most sacred of these twenty two.SivaPuranam identifies four sacred places for obtaining salvation. Thiruvannamalai is one among them. The significance of this place is that by mere remembrance of Lord Arunachaleswarar at this place gives salvation to all souls (Ninaithale Mukthi Tharum Thiruthalam).

The earth is formed by five basic elements namely land, water, fire, air and ether. Our ancestors called them "Pancha Boothas" and associated them with five sacred places for worshipping Lord Siva. The center of these five elements fire is identified with Thiruvannamalai. Thiruvannamalai is the "Manipooraga Sthalam", which is one among six athara sthalams. Thiruvannamalai is so sacred that even Gods, and celestials offered their prayers. Tradition has it that Sun, Moon, Eight Vasus, Brahma, Vishnu and so on have worshipped here.

Thiruvannamalai has been the abode of Siddhars. Idaikkattu Siddhar, one of the eighteen Siddhars, belongs to this sacred soil. Thiruvannamalai has the honour of providing an abode for saints such as Arunagirinathar, Vitpatchathevar, Gugai Namachivayar, Guru Namachivayar, Deivasigamani, Arunachala Desikar, Mahan Seshadri Swamigal, Bagawan Ramana Maharishi.

Please find below the songs collection of annamalaiyar. Listen & get mesmerised.

Arunachalane by SPB - Download

Om Nama Sivaaya by SPB - Download

Hara Hara Sivanae by SPB - Download

Sivamayamaaga by SPB - Download

Anbae Mazhaiyagum by Unni Krishnan - Download

Arunaiyin by Unni Krishnan - Download

Ayyanae by Unni Krishnan - Download

Deepa Jyothi by Unni Krishnan - Download

Devadhi Deva by Unni Krishnan - Download

Madhoru Sari by Unni Krishnan - Download

Naan oru by Unni Krishnan - Download 

Namo Namo by Unni Krishnan - Download

Sankaraya Namaha by Unni Krishnan - Download

Sivan aadum aatam by Unni Krishnan - Download

Thedi Sendru by Unni Krishnan - Download 

Thennadudaya sivanai by Unni Krishnan - Download

Thiruneerai Poosi by Unni Krishnan - Download

Vazhvum Nee by Unni Krishnan - Download

Aadum Nadaraja by Anuradha Sriram - Download

Deepam by Anuradha Sriram - Download

Adhi kaalai by Unni Menon - Download

Annamalayai by Unni Menon - Download

Naanmugan by Unni Menon - Download

Ulagezhum Arasaalum by Unni Menon - Download

LORD MURUGAN SONGS

    SRI SKANDA GURU KAVACHAM - Download

SRI SKANDA SASTI KAVACHAM - Download

MUTHAI THIRU (Thirupugazh) - Download

KANDHAR ANUBOOTHI - Download

SUBRAMANIA ASTAKAM - Download

THIRUVASAGAM

Thiruvasagam (திருவாசகம்) is a volume of Tamil hymns composed by the ninth century Shaivite bhakti poet Manikkavacakar. It contains 51 compositions and constitutes the eighth volume of the Tirumurai, the sacred anthology of Tamil Shaiva Siddhanta. Legend has it that Manikkavasakar was appointed as minister by king Arimarttanar and sent to purchase 10,000 horses from Arab traders but spent the money building a temple in Tirupperunturai.

Manikkavasagar's Thiruvasagam and Thirukovayar are compiled as the eighth Thirumurai and is full of visionary experience, divine love and urgent striving for truth. Though he is not counted as one of the 63 Saiva nayanars, he is counted as Nalvars consisting of the first three nayanars namely Appar, Sambandhar and sundharar. He was born in an orthodox brahmin family in Tiruvatavur near Madurai. His father was an adivsor to the Pandya king and he followed his father's footsteps in becoming the king's minister. He is believed to be in the 10th or 11th century, but Dr. Pope places him in 7th or 8th century. Manickavasgar was the king's prime minister and renounced his post in search of divinity.The king bestowed his minister to buy horses, but he was taken to divinity by the vision of Siva with his saints. The minister spent his entire sum of money in building the temple at Thiruperunturai, considered an architectural marvel among Hindu temples. From the time, the saint poet wandered to various temples and devoted hymns on Siva. His conversion is attributed to Sivagnana bodham, an saivite work by Meykandar. He was an orthodox saivite and represents bhakti at its highest form in his age.

Thirupperunthurai (Tamil: திருபெருந்துறை), known as Avudayar Koil), a Shiva temple where Thiruvasagam is believed to have been originated. Manikkavasagar is said to have converted the king to the cult of Shiva and built the temple with money that had been intended for war-horses.

Most of the portions in Thiruvasagam is first sung in Thillai Nataraja Temple at Chidambaram. It is considered one of the profound works of Tamil literature and it discusses every phase of spiritual path from doubt and anguish to perfect faith in Shiva, from earthly experience to teacher-disciple relationship and ultimately freedom from rebirth. There are 658 poems in the work and along with 400 poems in Tirukovayar by the same author make it the 8th volume of Tirumarai - the 12 volume Saiva canon. The author finds both theistic and pantheistic ideas corresponding to medieval India, but identifies God with the universe.As a devotional literature, it finds alternatives between joy and sorrow.

Raja Raja Chola I (985-1013 CE) embarked on a mission to recover the hymns after hearing short excerpts of Tevaram in his court. He sought the help of Nambi Andar Nambi, who was a priest in a temple. It is believed that by divine intervention Nambi found the presence of scripts, in the form of cadijam leaves half eaten by white ants in a chamber inside the second precinct in Thillai Nataraja Temple, Chidambaram.The brahmanas in the temple opposed the mission, but Rajaraja intervened by consecrating the images of the saint-poets through the streets of Chidambaram. Rajaraja thus became to be known as Tirumurai Kanda Cholan meaning one who saved the Tirumurai. Thus far Shiva temples only had images of god forms, but after the advent of Rajaraja, the images of the Nayanar saints were also placed inside the temple.Nambi arranged the hymns of three saint poets Sambandhar, Appar and Sundarar as the first seven books, Manickavasagar's Tirukovayar Thiruvasagam as the 8th book, the 28 hymns of nine other saints as the 9th book, the Tirumandiram of Tirumular as the 10th book, 40 hymns by 12 other poets as the 10th book, Tirutotanar Tiruvanthathi - the sacred anthathi of the labours of the 63 nayanar saints and added his own hymns as the 11th book. The first seven books were later called as Tevaram, and the whole Saiva canon, to which was added, as the 12th book, Sekkizhar's Periya Puranam (1135 CE) is wholly known as Tirumurai, the holy book.

 Please find below the symphony effort of Maestro Ilayaraja's  Thiruvasagam:

Poovar Senni Mannan - Download

Muthu Natramam - Download

Pollar Vinayaen - Download

Ponerukonum Purantharanum - Download 

Umbarkatkarasaey - Download

Puttril Vazh Aravum Anjaen - Download

" திருவாசகத்துக்கு உருகார் ஒரு வாசகத்திற்கும் உருகார்"

SRI SARABESWARAR SONGS (THIRUBHUVANAM) FOR GOOD HEALTH

Narasimhavathaaram by Lord Vishnu was taken to destroy the asura Hiranyan, who was filled with haughtiness proclaiming himself as God. Asura samharam was over. But Narasimha’s anger didn’t abate. The Universe couldn’t bear His anger. The ‘devas’appealed to Lord Shiva. To appease Narasimha’s anger, Lord Shiva assumed the form of a bird Sarabha. This form comprises the forms of an animal, human and bird – the face of a yali, human body and the form of a bird. The form of Narasimha consisted of a human body and the face of a lion. Kaali and Durga became the wings of Saraba. Lord Sarabeswara lifted Narasimha to space, drew out the asura blood (Hiranyan’s) and pacified him. He took him to space because even if a drop of asura blood fell on the earth, it would lead to the emergence of many asuras. So, Lord Sarabeswara took Narasimha above the gravitational sphere to prevent his blood falling on earth. The form of Sarabeswara comprises four Gods – Shiva, Kaali, Durga and Vishnu.

The devotees firmly believe that for removing obstacles in marriage, for begetting a child, for recovery from debts, for winning legal battles, for neutralizing the effects of black magic etc., worshipping Lord Sarabeswara is the best remedy. They pray for 11 weeks or light 11 lamps or do 11 pradakshanams.

Architecture of the temple
The 1000-year old temple has been built by Kulothunga Chola III as per Chola style. We enter through east gopuram. Lord Vinayaka welcomes us! Passing by kodimaram, altar and Nandi, we find Kambahareswarar sannadhi. He relieved Varaguna Pandian of his apprehensions and brahmahathi dosham. His consort Dharmasamvardini has a separate temple. The architecture of the temples of those times is astonishing. During rains and floods, people took shelter in these temples. The sannadhis have been built at a height with steps leading to them. During floods, these temples served as relief centers! Most of the temples on the banks of Cauvery River have been built in this style, keeping in mind human considerations.

On coming out of Dharmasamvardhini sannadhi, we see the temple of Lord Sarabeswara. In other temples, Lord Sarabeswara is sculptured on pillars, but here, He has a temple. The temple has 2 gopurams and 3 sthoobhis. Its theertham is Saraba theertham, sthalavritcham is vilva tree.

Daily pujas and festivals
Three worship services are done daily. The annual festival is celebrated on Pankuni Uthiram day (April month) and thirukalyanam is done. Festival for Lord Sarabeswara is celebrated annually. During this festival, laksharchanai and ekadhina laksharchanai are done. Special pujas are conducted during Rahukaalam on every day, especially on Sundays. Saraba homam is done for any devotee’s star. You have to register with the temple office. Kattalai archana for 11 weeks can also be done.

Please find below songs/slokas of lord Sarabeshwarar. Listen & get blessed:

Sarabha Gayathri - Download

Sarabeshwara Ashtakam - Download

Sarabeshwara Sahasranamam - Download File 1   Download File 2

GODDESS GARBHARAKSHAMBIGAI (for Child Birth & safe delivery), THIRUKARUGAVOOR - SONGS

Sri Garbarakshambigai Amman temple is situated in Thirukarukavur (Thirukkarugavur), a small village in Thanjavur district, Tamil Nadu, South India. This is an ancient temple of God Shiva dedicated to Sri Mullaivananathar and Sri Garbarakshambigai Amman. Appar, Sundarar and Sambandhar, the three famous Nayanmaars have celebrated the glory of this temple in soul stirring verses.

The remarkable feature which distinguishes this temple from the other shrines is that, Goddess Sri Garbarakshambigai Amman here cures infertility related problems to women, blesses them to conceive and also helps them for safe and trouble free delivery. Sri Mullaivananathar swamy is worshipped for better health and well being.

Importance of Garbarakshambigai temple:

Every couples dream is to become a parent. It is the next step in family life and at sometimes it may seem impossible for few. Trust in this Goddess. She makes it possible. She embraces all, with her compassion and fulfills a women wish to conceive and also helps carrying her baby to full term without any hurdles along the way.

History says that Sri Garbarakshambigai Amman blessed her ardent devotee Vedhikai to conceive and when Vedhikai almost lost her fetus, Goddess Garbarakshambigai came to her rescue, protected her fetus and blessed her for safe delivery. Numerous devotees who long for a child have been blessed by this divine mother. The uniform experiences of the people who have been blessed by this divine deity are testimony of her benevolence.  People from various countries and religions, who have difficulty in conceiving and delivery, pray to this divine Goddess for her benevolence and got blessed.

Sri Mullaivananathar Swamy is worshiped for better health. The Swamy here is swayambhu i.e, self manifested. Even today we can see the impression of mullai creeper over him. He is made up of hardened mud and there is no Abhishegam (Holy bath) for this God. Instead Punugu sattam is being offered on the Valarpirai Pradosham day, the 13th day after new moon(Sukla patcham Pradosham). This Punugu is believed to have healing power and it is being sent as prasadam for the peoples, who suffer due to incurable skin diseases, cardiac diseases and surgery.

The following poojas are performed in this temple.

1) Ghee prasadam pooja. (To conceive)
2) Castor oil prasadam pooja. (For Safe delivery)
3) Punugu sattam pooja.( For better health )
4) Abishegam.
5) Annadhanam.
6) Kattalai Archanai.
7) Nava kodi nei theepam (nine crores ghee lamps)
8) Sandana kappu.(Sandal Paste offering)
9) Thanga thottil
10) Thulaa-bharam
11) Ear boring and Head tonsure.

Worship timings

Morning	Evening
5.30 am to 12.30 pm	4.00 pm to 8.00 pm

For more details, visit http://garbaratchambigaitemple.org/

Manthra or Prathana Slogas for Early Marriages And Pregnancy:

Manthra or Prathana Slogas for Early Marriages And Pregnancy:
Om Devendhirani Namasdubhyam, Devendhira Priya Bamini,
Vivaha Bhaghyam , Aroghyam, Puthra Labamsa thehimey,
Bathim Dhehi ,Sudham Dhehi, Soubaghyam Dhehimey,
Subey, Sowmangalyam, Subham Gnanam, Dheimey
Karbarakshake, Kathyayini mahaa maye,
Maha Yoghinya Dheeswari, Nandhagopa Sudham Dhevam
Pathim Mey Gurudhey Nama.

Prathana Sloga For Easy Delivery:

Hey, Shankara Smarahara Brahmadhathi
Nathari Mannatha Samba Sasisooda
Harathiri soolin sambo sugaprasava Grithbavamey
Dayalo, Hey Madhavi Vanesa Palaiyamaam Namasthey
Another Sloga For Easy Delivery:
Himavat Uttharey, Parswey, Suratha Namayakshinee,
Thasya, Smarana, Mathrena, Visalya, Gharbinee bavedhu.

Please find below the songs of Goddess Garbharakshambigai by Sudha Raghunathan:

108 Potri (slokas) - Download

Garbharakshambigai Kavacha(m) - Download

Garbharakshambigai Gayathri - Download

Mullaivanam - Download

Mullaivanathil - Download

Karu kakkum - Download

Pani kudam - Download

Garbhagrahathil - Download

AMMAN SUPRABATHAMS

SRI KALIKAMBA SUPRABATHAM - Download

SRI MAHALAKSHMI SUPRABATHAM - Download

SRI SHARADA SUPRABATHAM - Download

SRI BHUVANESWARI SUPRABATHAM - Download

SRI CHAMUNDESWARI SUPRABATHAM - Download

SRI RAJA RAJESWARI SUPRABATHAM - Download

KANYAKA PARAMESWARI SUPRABATHAM - Download

SRI KAMAKSHI SUPRABATHAM - Download

THIRUVEMPAVVAI

Thiruvempavvai by Veeramani Kannan (RAR file) - Download

 File 1                                File 2 

File 3                                File 4